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Campaign for Braddock Hospital
© » KADIST

LaToya Ruby Frazier

Photography (Photography)

LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live. She reports upon the decline of this steel-producing town, which was once prosperous and where the local population today is devastated by poverty, unemployment and health problems linked to pollution. The town has currently closed the hospital which increases unemployment and makes access to treatment complicated for the residents of one of the most polluted towns in the USA.

I am the Greatest
© » KADIST

Hank Willis Thomas

Painting (Painting)

Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further.

I Am A Man
© » KADIST

Hank Willis Thomas

Painting (Painting)

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism. Historically, in countries such as the US and South Africa, the term “boy” was used as a pejorative and racist insult towards men of color, slaves in particular, signifying their alleged subservient status as being less than men. In response, Am I Not A Man And A Brother?

Intentionally Left Blanc
© » KADIST

Hank Willis Thomas

Drawing & Print (Drawing & Print)

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting. Using a found photograph depicting a passionate crowd of African Americans—their attitude suggesting the fervor of a civil-rights era audience— Intentionally Left Blanc reverts in its exposed, “positive” format to an image in which select faces are whitened out and erased, the exact inverse of the same view in its “negative” condition. This dialectic of light and dark re-emerges when we view the same faces again, only this time black and featureless, a scattering of disembodied heads amidst a sea of white.

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

Drawing & Print (Drawing & Print)

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed.

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

Installation (Installation)

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.

Bread and Roses
© » KADIST

Hank Willis Thomas

Painting (Painting)

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.

Black Imitates White
© » KADIST

Hank Willis Thomas

Drawing & Print (Drawing & Print)

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.

Octavia E. Butler Papers: mssOEB 1-9062 I (Shape God)
© » KADIST

American Artist

Drawing & Print (Drawing & Print)

American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.

Octavia E. Butler Papers: mssOEB 1-9062 II (The L.A. Area)
© » KADIST

American Artist

Drawing & Print (Drawing & Print)

American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.

Octavia E. Butler Papers: mssOEB 1-9062 II (Waylin Plantation)
© » KADIST

American Artist

Drawing & Print (Drawing & Print)

American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.

Saturday afternoon in Sunward Park, Boksburg
© » KADIST

David Goldblatt

Photography (Photography)

David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa. The photographic essay negotiates the troublesome landscape of the apartheid through capturing the intimate in-between moments that are seemingly inconsequential and visually inoffensive. However, it is in this series that Goldblatt provides a candid insight into the white communities during the apartheid.

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

Film & Video (Film & Video)

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.

I Am Blue, 1
© » KADIST

American Artist

Sculpture (Sculpture)

From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control. The color blue is a proxy for both sadness, and a color that is emblematic of American law enforcement services. I Am Blue, 1 by American Artist is a sculpture that fuses a school desk with a ballistic shield.

American Flag (Scratch)
© » KADIST

Collier Schorr

Photography (Photography)

Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject. American Flag (Scratch) (1999), for example, depicts an unidentified male subject clad in an American flag-print singlet. With his head and extremities out of frame, the camera focuses on his flush-red torso, his left nipple protruding from the singlet’s strap.

The American War
© » KADIST

Harrell Fletcher

Photography (Photography)

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States.

Timothy Huffman and Ira Sims
© » KADIST

Dawoud Bey

Photography (Photography)

On 15 September 1963 members of the Ku Klux Klan blew up the 16th Street Baptist Church in Birmingham Alabama up using dynamite. Four African American girls were killed, and 22 other people were injured. Two African American boys were killed in related violence that day.

Two videos, three photographs, several related masterpieces, and American Art
© » KADIST

Yan Xing

Photography (Photography)

The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .

Sheet 5 (Stamped series)
© » KADIST

John Lucas and Claudia Rankine

Drawing & Print (Drawing & Print)

Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes. In the twenty-first century, blondeness is the look desired by American presidents, pop stars, rappers, television announcers, Hollywood celebrities, the boy next door, and some Asian Americans, African Americans, white Americans, Arab Americans, and LatinX Americans. The desirability of blonde hair has no genre boundaries, no pronoun limitation, and no class limit.

Hole #1
© » KADIST

Matthew Angelo Harrison

Sculpture (Sculpture)

In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans.

The Breaks
© » KADIST

Juan Capistran

Photography (Photography)

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.

The Willing (Sharjah)
© » KADIST

Helina Metaferia

Film & Video (Film & Video)

By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements. In the project, Metaferia works intrinsically with female descendants of prominent historical black activists to produce video art; with women of color organizations to produce socially engaged work; with “radicalism” archives and performance stills to produce works on paper and tapestries; and with museum, gallery, and public spaces to produce participatory performances. Tapestry (Gewel) (2023) is one of a series of tapestries that are all subtitled with names of traditional storytellers from across the African continent.

A taste for life, Baragwanath Terminus, Diepkloof
© » KADIST

Santu Mofokeng

Photography (Photography)

Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships. In South Africa, a billboard is a relic from the times when Africans were subjects of power and when townships were restricted areas, subject to laws, municipality by-laws and ordinances regulated the movement of persons and governed who may or may not enter the township. Mofokeng references this medium for control through tracing the history of townships in South Africa.

Sans titre
© » KADIST

Mohamed Bourouissa

Photography (Photography)

After seeing Martha Camarillo’s photographs of horsemen in Strawberry Mansion -an impoverished Philadelphia neighbourhood- Mohamed Bourouissa travelled to see the urban stables run by African American men. For eight months, he observed, drew and photographed this community. As the community and Bourouissa became closer throughout his stay, the artist suggested that they organize a competition, called “Horse Day”, in which artists from other neighborhoods would be invited to create costumes for the horses.

Untitled (Zimbabwe)
© » KADIST

Fred Wilson

Painting (Painting)

Fred Wilson’s flag paintings document the 20th century history of African people, indexing the period of liberation from colonialism. As the majority of African flags were created during the 1950s and 60s, they were intended to reflect a so-called ‘modern’ aesthetic and ideology. Many African flags maintain the typical flag tropes such as stripes, stars, birds, and blocks of primary and secondary colors; green to represent the land; blue to symbolize the ocean or sky; and red to recall the violence that occured in the pursuit of liberty.

Tapestry (Gewel)
© » KADIST

Helina Metaferia

Sculpture (Sculpture)

By Way of Revolution is a series that addresses the inherited histories of protest that inform contemporary social movements. In the project Metaferia works intrinsically with female descendants of prominent historical black activists to produce video art; with women of color organizations to produce socially engaged work; with “radicalism” archives and performance stills to produce works on paper and tapestries; and with museum, gallery, and public spaces to produce participatory performances. Tapestry (Gewel) is one of a series of tapestries that are all subtitled with names of traditional storytellers from across the African continent.

Dave
© » KADIST

Mohamed Bourouissa

Installation (Installation)

Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014. There, he discovered the activities of the Fletcher Street Riding Club, a historical stable and training program built by and aimed at young African Americans. Weaving together two predominant symbols of American lifestyle and culture—the cowboy and the car—Bourouissa collaborated with local riders and artists to organize a contest celebrating the best adorned horse, in the manner of car tuning competitions.

Sundown (Number Twenty)
© » KADIST

Xaviera Simmons

Photography (Photography)

Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances. Not to be mistaken as mere portraiture, however, Simmons’ works are explorations of the Black body in relation to landscape and other dimensions of non-linear space and time. Concealing and flattening her subjects with costumes and collage-like, abstract pictorial devices, the artist arranges archival photographs, printed textiles, and anthropological artifacts in configurations that highlight the power of visual culture to shape contemporary understandings of the self.

Killed
© » KADIST

William E. Jones

Film & Video (Film & Video)

Killed is a video projection in which William E. Jones appropriated and edited, in a rapid sequence, a selection from the more than 68,000 censored or discarded films produced by the Farm Security Administration’s photographers between 1935 and 1943. Roy Emerson Stryker, the then director of the program, was in charge of what he called “killing” negatives by punching holes in them to render them unusable. Killed continues Jones’s use of discarded film footage seen in his video created from vintage 1970s and 1980s gay porn that was included in the 2008 Whitney Biennial.

Hank Willis Thomas

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

William E. Jones

Mohamed Bourouissa

Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...

Matthew Angelo Harrison

Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...

Trevor Paglen

Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...

Helina Metaferia

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...

Carla Zaccagnini

Daniel Joseph Martinez

Abigail DeVille

African American artist Abigail DeVille’s large sculptures and installations reflect on social and cultural oppression, racial identity, and discrimination in American history...

Dannielle Bowman

Working in photography, Dannielle Bowman’s photographs are multilayered, pushing a more nuanced understanding of American history and culture across various physical locations and time periods...

Ed Ruscha

Cauleen Smith

Cauleen Smith is an artist and filmmaker whose approach has been shaped by the discourse of mid-twentieth-century experimental film — including structuralism, third world cinema, and science fiction...

Emeka Okereke

Emeka Okereke is a Nigerian visual artist and writer who lives and works between Lagos and Berlin, moving from one to the other on a frequent basis...

Collier Schorr

Nathan Lewis

Nathan Lewis’s unfeigned drawings have evolved out of the nine years he worked as a critical care nurse at a Washington, D.C...

Xaviera Simmons

Chanell Stone

Chanell Stone’s practice explores what she describes as the “re-naturing” of the Black body to the American landscape—an act that aims to complicate and sublimate the history of American slavery into a reimagined relationship between African Americans and the earth...

Dawoud Bey

Dawoud Bey is an American photographer and professor and Distinguished Artist at Columbia College Chicago...

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

Fred Wilson

Harrell Fletcher

John Lucas and Claudia Rankine

John Lucas and Claudia Rankine are interdisciplinary thinkers and makers committed to exploring the nuances of race and power in our daily lives...

Miljohn Ruperto

David Goldblatt

LaToya Ruby Frazier

LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania (USA)...

Kara Walker

Yan Xing

Papa Ibra Tall

A crucial figure in the history of African modernism, Papa Ibra Tall was a renowned tapestry weaver, painter, and illustrator...

American Artist
© » TATE EXHIBITIONS

this quarter (02/12/2024)

Vija Celmins | Hatton Gallery See the work of Latvian-American artist Vija Celmins at the Hatton Gallery, Newcastle ARTIST ROOMS Vija Celmins takes an in-depth look at the artist’s works on paper...

© » ARTSJOURNAL

this quarter (02/11/2024)

Protester charged for defacing African American Civil War memorial at US National Gallery of Art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Protester charged for defacing African American Civil War memorial at US National Gallery of Art A climate activist with the group Declare Emergency has been taken into custody over a paint-smearing incident at the museum last year Torey Akers 9 February 2024 Share Declare Emergency affiliate Jackson Green during a protest at the National Gallery of Art on 14 November 2023 Courtesy Declare Emergency Jackson Green, an activist from Utah, has been arrested and charged with defacing a memorial to Black Civil War soldier at the National Gallery of Art (NGA) in Washington, DC last autumn...

© » ASX

this quarter (02/02/2024)

RaMell Ross – Spell, Time, Practice, American, Body – AMERICAN SUBURB X Skip to content An image I find myself returning to over and over again is a photograph by RaMell Ross titled Dream Catcher (2014)...

© » APERTURE

about 3 months ago (01/03/2024)

At a moment when women are increasingly losing control over their own bodies, can self-representation become a form of resistance?...

American Artist
© » LARRY'S LIST

about 4 months ago (12/18/2023)

His collection gift to the Savannah College of Art and Design nearly two decades ago has been transformative....

© » LARRY'S LIST

about 4 months ago (12/18/2023)

Collector Ronald Ollie (1951-2020) AN AVID COLLECTOR of African American art and generous museum patron, Ronald Ollie (1951-2020) has died...

American Artist
© » ART & OBJECT

about 4 months ago (12/12/2023)

10 Must-See Artworks by Indigenous American Artists at the Seattle Art Museum | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ART & OBJECT

about 4 months ago (12/12/2023)

Christmas Lights: Photographing an American Tradition | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ART & OBJECT

about 4 months ago (12/12/2023)

Julie Mehretu Work Sets Auction Record | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

Ed Ruscha
© » ART & OBJECT

about 4 months ago (12/12/2023)

Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » MODERN MET ART

about 4 months ago (12/02/2023)

Stan Squirewell's Mixed-Media Collages Give a Fresh Perspective on the Past Home / Art Vibrant Mixed-Media Collages Give a Fresh Perspective on African American Ancestry By Jessica Stewart on December 2, 2023 “Mrs...

© » MODERN MET PHOTOGRAPHY

about 4 months ago (12/02/2023)

100+ Photographers Help Raise Funds for 13 Orphaned Elephants Home / Photography 100+ Photographers Contribute Their Work To Raise Funds for 13 Orphaned Elephants By Regina Sienra on December 2, 2023 Photo: Ami Vitale/Courtesy of Vital Impacts “Lorok and Ngilai comfort one another as they explore the wilderness at Reteti Elephant Sanctuary in northern Kenya...

© » SOUTH CHINA MORNING POST

about 5 months ago (11/27/2023)

African-American artist and activist Alexandria Smith brings her 3D paintings to Asia with exhibition at Gagosian Gallery in Hong Kong | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Alexandria Smith’s “Seers Like Me” (2023) is one of 15 pieces that comprise her first Asian solo exhibition at Hong Kong’s Gagosian Gallery...

© » ARTSY

about 5 months ago (11/16/2023)

American sculptor Richard Hunt is now represented by White Cube...

© » ART CENTRON

about 5 months ago (11/03/2023)

James Barnor Prize for African Photographers Goes to Mário Macilau - Artcentron Home » James Barnor Prize for African Photographers Goes to Mário Macilau ART Nov 3, 2023 Ξ Leave a comment James Barnor Prize for African Photographers Goes to Mário Macilau posted by ARTCENTRON Untitled , Circle of Memories series, 2020 by Mário Macilau, winner of the second edition of the James Barnor Prize The multidisciplinary artist and activist from Mozambique, Mário Macilau, is the winner of the James Barnor Prize...

© » D MAGAZINE

about 11 months ago (06/01/2023)

The African American Museum Welcomes an Exhibit Showing the Breadth of South African Art - D Magazine Skip to content Menu Search One brand, four magazines...

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about 17 months ago (12/01/2022)

For those people who think art collectors only consist of the super-wealthy, consider this: Kerry Davis was a mailman and his wife, Betty, was a TV news producer in the mid-1980s when they started the......

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about 19 months ago (10/05/2022)

With their collection and related activities, the couple are bringing new definition to the role of the contemporary collector....

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about 19 months ago (10/05/2022)

Great artists earn plentiful praise, and rightly so, but as “Detroit Collects” reminds, for an art community to thrive, it needs more than makers, it needs buyers....

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about 19 months ago (10/05/2022)

For more than 40 years, Bernard and Shirley Kinsey have amassed one of the largest private collections of Black paintings, letters, books and other artifacts to teach the next generations what history has erased....

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about 19 months ago (10/05/2022)

Piece will be fixed onto nose of an Ariane 5 launcher that will be collecting data on climate change's impact on Africa...

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about 19 months ago (10/05/2022)

Commission Series 2022 — DEO projects ︎ PROJECTS ABOUT PARTNERS PUBLIC PROGRAMME PRESS ROOM PLATFORM CONTACT Commission Series x 2022 Commission Series x Dominique White (Under) studies in Non-Description 2022 Traditional geographies did, and arguably still do, require black displacement, black placelessness, black labour, and a black population that submissively stays “in place”...

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about 19 months ago (10/05/2022)

Over a 40-year period, she and her husband amassed a major collection of African American art....

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about 19 months ago (10/05/2022)

Former news anchor Carolyn Sawyer is drawn to artists who offer unique, narrative visions of the African American experience....

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about 19 months ago (10/05/2022)

Over the past 20 years, Reginald Van Lee has acquired a variety of work by African-American artists....

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about 19 months ago (10/05/2022)

“I Had No Idea That It Would Become This”: Art Collector Has Exhibit Displayed at Appleton Museum of Art, USA - via WCJB...

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about 30 months ago (10/13/2021)

Swann African American Sale Reaches Highest Total Ever at $5.1m Hale Woodruff, Carnival ($250-350k) $665,000 Swann celebrated the end of its 14th year holding African American art auctions—a category the small New York house pioneered—by hitting the highest ever auction total...

© » PIER 24

about 53 months ago (12/11/2019)

Pier 24 New Publication—Photographers Looking at Photographs Available - Pier 24 New Publication— Photographers Looking at Photographs Available December 10, 2019 We are please to announce our newest publication— Photographers Looking at Photographs: 75 Pictures from the Pilara Foundation —is now available...

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about 19 months ago (09/10/2022)

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about 22 months ago (06/15/2022)

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about 76 months ago (01/18/2018)

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about 99 months ago (03/05/2016)

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about 99 months ago (02/28/2016)